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On the Wall: admiring pop culture figureheads at KAWS’ AGO exhibit

One of the sharpest criticisms of art produced by artificial intelligence, apart from the fact that it robs human artists of the chance to make a living from their skills, is that it absorbs the creativity of said artists in order to create. The thinking is, if it doesn't come from the brain of a sentient being, then it's not real art.

From billions of existing images online, AI programs can recreate a subject, pixel by pixel, having analyzed the likely formations, light, and colours that define a style. It's more like one of those portraits that visualizes the average appearance of people country-by-country by compiling many portraits. It’s more of a compilation than something original.

Then again, there are humans who create art that is directly sourced from other artists. That's the surface-level impression of KAWS (Brian Donnelly, born in New Jersey in 1974), a multimedia artist whose exhibition is coming to an end at the Art Gallery of Ontario on August 5th this year.

With a story that swings from street art in Jersey City and New York City to big-brand collabs with General Mills and Nike, it would be tempting to view KAWS as a kind of new millennium Jean-Michel Basquiat or Keith Haring (another major recent AGO exhibition subject).

But let’s not jump straight to a brash, rigid view of art.

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