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Rothko, the Latvian-American Colour Field Pioneer, and a Toronto-Estonian Counterpart We Should Be Talking About

Back in the summer of 2018, at a networking gathering for current and aspiring film industry professionals, I met a documentary filmmaker by the name of Patrick Barfoot. Somehow, talking about film scores, it came up that I’m of Estonian background, and so began an introduction to this filmmaker’s project about an Estonian artist.

The documentary, which came out a year after the artist’s death in October 2018, is about painter Jaan Põldaas, who represents something of the Toronto that once was. A Toronto that was trying to make its artistic mark side-by-side with its confident, cultured cousin, Montréal.

https://vimeo.com/369975425?fl=pl&fe=vl

A recent trip to the Art Gallery of Ontario, viewing a painting by Mark Rothko in their Moments in Modernism exhibition, summoned the memory of Põldaas, and provoked a question. What is it that differs from artist to artist or movement to movement when it comes to abstract, colour-focused paintings?

Mark Rothko's No.1, White and Red (1962) (source: ago.ca)
Mark Rothko's No.1, White and Red (1962) (source: ago.ca)

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